I’m emerging from my editing cave, delighted to announce I have a release date for the third book in the Death Witch Series. Blood, Dirt, and Lies will be available on December 18th. While I don’t have a link yet, I do have some amazing cover art:

This book takes Mallory’s story in a bit of a new direction. She’s more experienced at her job, but also handling a difficult case. I wanted to show her working hard on ­­­a case that wouldn’t crack. She’s forced to take over more often as her more experienced partner gets stuck dealing with issues related to his supernatural heritage.

I’ve hinted about what Danny is and how it shapes his character in the past. In this book you’ll learn more about him, meet his sister (a formidable woman), and find out about his less than morally upright childhood. The contrast between how he was raised to think the rules didn’t apply to him, but is now the guy enforcing those rules, was one of my favorite parts of his personality. He’s deliberately made a break with his family, rejecting their values. This book gives readers a chance to see why.

There’s also some surprising insights into Mallory’s life as she contemplates moving her relationship with Jakob forward. There are some things the two lovers don’t discuss, secrets they both keep. Over the course of the story, a few of those come out. As much as I enjoyed making Mallory share those painful, sticky secrets about her magic, delicately drawing a picture of her tendency to run when things get tough was a bigger triumph. The Death Witch series starts off with Mallory escaping from her life, and in this book I got to write her thinking it might be time to run away again. (Don’t worry, Jakob won’t let that happen.)

Jakob’s subplot reveals a pair of new vampires – best friends he hasn’t mentioned. A married couple, the sexy, slightly crazy wife, Rowan is a great character to play with. She has a very small role in this story, but it nicely illustrates the divide between how the vampire community behaves and how Jakob strives to live his life.

And, of course, there’s the crime. A confusing, layered, event that starts with a simple murder, but spirals into a larger, darker conspiracy. The victim’s ghost begs for help, but as the investigation goes on her character comes into question. This is the first case for Mallory where she doesn’t really like the person she’s helping, the first case where the victim is (arguably) less redeemable than the culprit.

When I started writing this book, I wanted to move everyone forward in predictable ways – there’s a romance, an unexpected baby, family drama, tension over aggravating relationships, but as the story developed it focused on the difference between how people want to live and the lives they really lead. An unexpected theme of how we respond to the choices we face, either doing what we must, what’s best, or what we want, came out. I’m excited to see how my readers react to that, and delighted to see the story in its final form.